SUBURBANISM: The Soft-Carpeted World [Epilogue] Avec ces cinq images qui présentent le shopping comme un projet culturel, la civilisation occidentale a pris fin: https://hypebeast.com/2018/1/kardashian-jenner-family-calvin-klein-campaign La bonne nouvelle c’est que n’importe qui peut accepter cette tournure des événements et aller au-delà de cette tragédie en se concentrant sur la Steve Oklyn • Mode
« RIP-OFF » [THE NOVA MOB] F/W 2018 WITHOUT AN IDEA FASHION FRONTS WITH WHATEVER IS LEFT [THE NOVA MOB] EDWARD RUSCHA JOSEPH DIRAND BUCKMINSTER FULLER JEAN PROUVE PHILIP JOHNSON LAWRENCE WEINER AVALANCHE MAGAZINE DONALD JUDD MARCEL BREUER JENNY HOLZER ROBERT SMITHSON MALCOLM MCLAREN FLORENCE KNOLL JOHN CAGE BRUCE NAUMAN TOM SACHS WILLIAM EGGLESTON JOSEPH BEUYS ASPEN MAGAZINE Steve Oklyn • Mode
[FUCK YOU, HYPEBEAST] OKLYN s/O Systems 2017 [WOMEN ARE MOVING FORWARD BY GRASPING THE POWER OF LANGUAGE] https://hypebeast.com/2017/12/feminism-merriam-webster-2017-word-of-the-year 2017 [MEN ARE MOVING BACKWARDS BY OBSESSING OVER THEIR PRODUCTS] 2018 [WOMEN: LANGUAGE IS A WEAPON OF EMPOWERMENT MEN: PRODUCTS REINFORCE THEIR REGRESSION] https://www.apar.tv/mode/fuck-quotation-marks-oklyn-so-systems/ This report concerns the Steve Oklyn • Mode
« FUCK QUOTATION MARKS » OKLYN s/O Systems HB100 2017 [virus] JK One 1965 [antivirus] One and Three Chairs Joseph Kosuth (American, born 1945) 1965. Wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of « chair », Chair 32 3/8 x 14 7/8 x 20 7/8″ (82 x 37. Steve Oklyn • Mode
Steve Oklyn interview WALLET Magazine #1 Steve Oklyn, the mysterious man behind the sartorially smart website NOT VOGUE and an avid contributor to apar.tv, is an authority in his own right when he artfully muses on the worlds of fashion, luxury brands and the online onslaught that surrounds us. His sharp wit and dedication to Steve Oklyn • Mode
[BLANK] STEVE OKLYN Je pense qu’au cœur même de l’expérience de Virgil Abloh il y a une forme de nihilisme optimiste. Cela vient directement de la superficialité psychologique des médias sociaux. La vie sociale 2.0 est inutilement dramatique. C’est théâtral et pourtant ça ne veut rien dire. Une basket Steve Oklyn • Mode